"We have to understand the psychology of the character and really dig into it to understand how to visually create the right atmosphere and pass it through to the audience."
Breakdown
- Cinematographer views their role as a 'visual psychologist' focused on character psychology 1m 2s
- 'The Pitt' aimed for an immersive style inspired by '1917' and Roger Deakins 1m 36s
- The Ziggy rig was used to achieve smooth, handheld camera movement 1m 49s
- No tripods or dollies were used; camera movement was choreographed with actors 2m 13s
- Camera techniques created an invisible, documentary-like audience perspective 2m 31s